Stick Tree
Black Swamp Dryad
From such I am made. My local
turf a black swamp atop
a geological midden,
braced by moraines and beach ridges,
where ground down things gathered
to grind each other, pulverizing
the lot into clay paste.
Here the last ice apocalypse
collapsed into a river,
thawing what had been tundra,
the melt slicing through the till,
silt, and clast bits trapped in caliche
to yield a glacial flour
so fine sized that barely dust
was left of what were mountains
(the crags first worn featureless)
then rolled and patted into
the clay of lacustrine me
sitting lodged atop the limestone
bedrock of what was sea floor,
all around me a compressed
flatness where-- in spite of stands
of oak, pine, of weathered barns
providing some brief relief--
the horizon seems infinite,
the added volumes of air
so magnifying tonight’s
moon that its klieg light glare
causes each and every thing
to briefly cast something
approaching its daytime shadow.
I am made from the Teays
lost riverbed, something
malleable, gray with bruise
blue streaks. Something not cast,
but molded, rolled, stretched, then smushed--
a torso with leafless limbs,
a thing fired by the light
of a small distant sun.

Nick Conrad
Nick Conrad’s poems first appeared in the 70’s/ 80’s in journals such as Green House, The Cumberland Review, The Literary Review and the TLS, with more than 200 poems published since. His first book, Lake Erie Blues, Urban Farmhouse Press, appeared in 2020. His podcast for All Write in Sin City aired in 2021. Recent work has or will appear in Acumen, Blueline, Breakwater Review, Clackamas Literary Review, Cloudbank, Flying Island, Fourth River: Tributaries, Main Street Rag's anthology, North Coast Voices, North Dakota Quarterly, Orbis, Red Rock Review (issue 53), Stand, and Talking River Review.
