1917
sprays of poppies, as in the first line of a poem
the flush of spatter reds, nonchalant along ditches
braced for gas rounds and bubbling lungs
fire-step volleys at Arras punctuate routine advances, inch
by inch the dawn attack
the mirror of the falling-back
low, raking rounds a timely barrage a biplane
nosedown in the slop between trenches Edward Thomas
the day before his death, remarked
on the shell exploding nearby
Christ that was close
the following day, closer still
the fiction of a bloodless death the War Office letter
his widow clung to MADAM, A CONCUSSINVE BLAST
THAT LEFT HIM WITH A SLEEPING LOOK
the reality, the shot
a sniper took
the War poets draft poems in the backs of diaries
verse usually
about sorrow sinuous with love their pastoral inclinations
however, stowed
for the duration acknowledging death
industrial

Estill Pollock
Estill Pollock was born in Kentucky, but has lived in England for many years. Between 2005-2011 the book cycle Relic Environments Trilogy was published by Cinnamon Press (Wales). A collaboration with Broadstone Books in Kentucky provided the impetus for his recent poetry series, Cartographic Projections of a Sphere.’
