Lament of a Failed Villanelle
I’m part villanelle always looping around,
repeating myself. I move forward in fits
and starts, get caught in the unsteady rhythm
of one-step-forward-two-steps-back. Without
the sexy sway of a cha-cha-cha or
a tango’s grace. When I tell a story,
I sashay around the facts, take listeners
on a long promenade, rehashing for emphasis,
sometimes forget where I’m going.
No doubt some reader will tell me I should
write this lament in a three-line cadence
with an aba-rhyme pattern over at least
five repetitive stanzas. But I despair
of expressing myself that way. How I long
to be a sonnet, elegant and highbrow,
but I can’t keep the beat. The unstressed-
stressed syllables of pentameter tangle
my feet. I thought my mother was a sonnet,
a red-headed beauty with proper manners.
And my dad bragged he was a ballad.
They say opposites attract. But their union
made me a blank verse no particular form.
Were I a true villanelle, I would have already exceeded
the required nineteen lines, messed up the beat.
My poetry handbook says villanelles refuse
to tell a story, so what am I doing here?

Sandi Stromberg
Sandi Stromberg is widely published in journals and anthologies, with multiple nominations for Pushcart and Best of the Net. Her collection, Frogs Don’t Sing Red, was released by Kelsay Books in 2023. Her second collection, Moonlight, Shaken, will appear in 2026. She is an editor at The Ekphrastic Review.
